I'm passionate about color. My best friend and I sit and look at Pantone books for fun.

I feel sorry... for people who've had skinny privilege and then have it taken away from them. I have had a lifetime to adjust to seeing how people treat women who aren't their idea of beautiful and therefore aren't their idea of useful, and I had to find ways to become useful to myself.

The thing about being on the majors, from the beginning, going into this, I was like, "I'm not going to be treated like a factory," because that's never the way it was done before. You're talking about a major label, we're talking about serious business; you're not an artist anymore, you're a business, you have to work in terms of product, you have to release a product, and I don't really think that way at all.

I don't feel famous and I didn't want my autobiography to be like a Paris Hilton story.

I'm constantly thinking about what I'll do next. I never count on music being a career of longevity. I mean, longevity is key, and I hope that it lasts, but you just don't know, because it's not in your hands, you don't make the decision.

I can take care of a house, and some people I meet, I think, 'You don't even know how to make a bed.

I never went to college and I was raised in Arkansas so there wasn't a lot of academic language being thrown around my house. We weren't idiots, but I didn't have that access to academic feminism. I had to realize, on my own, that feminism is not just about how far ahead you can get in a job and it isn't about not wearing makeup. It isn't about not watching your waistline. I had to recreate the world entirely.