Let's get one thing straight: there's no such thing as the Bristol sound.

The blackness of darkness, forever.

You feel the music needs something but you don't know what. So you start searching, fitting, measuring, trying. Every time you try another angle. And sometimes that's frustrating, especially if you don't come up with something for three days.

My voice adapts itself to the music. I can do a lot more than you hear in Portishead.

There's not only emotion in the way you sing but also in what you sing. That way I can compensate it.

Let's get one thing straight: there's no such thing as the Bristol sound.

I've had a wordless phase, and that's still not entirely over: what I sing is not always literally meant that way, and you can hear that in the way it is sung.