I love Donnie Darko movie so much. Just before I got that script, I had been to see some European art film. I walked out of that movie and said to my husband, "That's what I want to do! I want to do an art film and take it to the edge." Within two weeks, we were getting ready to go on vacation, and my agent called.

I'm ready to do some classics. Maybe I wasn't in the beginning. I weighed 179 pounds when I got to New York, and I had that thick Southern accent. I still talk Southern, but I can do without it.

I was so frustrated with my whole life that I walked up this hilltop and screamed at the heavens. It was very dramatic - but then again, I am an actress - and I said, "Fine! I'll be a character actress! Just tell me what you want me to do!" I was so angry at the universe.

Everything I've done hasn't worked out - you know, some things aren't as great as others - but I'm having so much fun, who cares? Isn't that what an artist is supposed to do? We're trying to change the world. Otherwise, why be an artist? You want to shake people up and make 'em think.

The brilliant costume designer Mary Zorphres had done all this research on West Texas in 1980. Every woman looked like that. At a certain age, they would get their hair cut off, let the gray go in, get that permanent, and wear those big glasses. She gave me a beanie bra so my boobs would hang down, and these old dresses. My hat's off to her, because I thought it was perfect for the movie. It was so great to have some comic relief right at that moment. No Country For Old Men is such an intense film.

I love Maude Pearson character from Agel. I love that she walls her son up because he has a girlfriend! In fact, I have that clip on my reel - her walling him up and saying, "What are you going to do about that streetwalker now? You belong to me! What are you going to do?" And did you know the ghost mom has her own Angel trading card?

I love to take chances. I love first-time directors. I love super-low-budget movies. I've done 80-something movies, and I want to just keep experimenting. First-time directors have new, fresh ideas, and lot of times they're risking a lot to do it, so it means so much to them. They're not just hired; they have their heart on the line, because if you've gone that far, you're probably a very passionate person.