When an editor works with an author, she cannot help seeing into the medicine cabinet of his soul. All the terrible emotions, the desire for vindications, the paranoia, and the projection are bottled in there, along with all the excesses of envy, desire for revenge, all the hypochondriacal responses, rituals, defenses, and the twin obsessions with sex and money. It other words, the stuff of great books.

Asking for advice about what you should write is a little like asking for help getting dressed. I can you tell you what I think looks good, but you have to wear it. And as every fashion victim knows, very few people look good in everything.

No matter how many compromises were made along the way, no matter what happens in the future, a book is a thing to behold.

Fear of failure is the reason most often cited to explain why so many aspiring writers never realize their dreams. But I think it’s that same fear of failure that absolutely invigorates those who do push through-that is, the fear of not being heard.

When an editor works with an author, she cannot help seeing into the medicine cabinet of his soul. All the terrible emotions, the desire for vindications, the paranoia, and the projection are bottled in there, along with all the excesses of envy, desire for revenge, all the hypochondriacal responses, rituals, defenses, and the twin obsessions with sex and money. It other words, the stuff of great books.

The writer labors in isolation, yet all that intensive, lonely work is in the service of communicating, is an attempt to reach another person.

I wondered if I was just the sum of my brain scan, little dots clustered in my frontal lobe. Is that where the poems came from?.