The galleries are simply corporations in the art world - "Here's a million dollars for this latest piece of crap" - but I'm not about to go along with the gallery system.

When I found out after that first successful exhibition that the gallery wanted me to do another show like the first one, I come out two years later with four 6-foot drawings of classical nudes masturbating. The gallery director flipped the freak out!

The women working at abortion clinics are really on the front lines and the true heroes of feminism.

Because orgasmic sex would lead to women's autonomy, knowing who you are and what we want: Women are not going to follow what some jackass tells us we must do. Not all women are going to get married, be monogamous and raise a family. It will destroy the current social structure based on a sexual double standard that we're currently living under.

The real power is not corporate; it is private. They choose not to have a name. It is a dynasty of banking families - Rothschild and Rockefeller being two - that operate chiefly out of London, in the boardrooms out of the city of London and the Bank of England, which they own.

I'm fully aware had I stayed with my art, I would be well known, respected and most likely rich.

I had very little support from any feminist organization. But fortunately my post-marital lover, who had bailed out of academia over political in-fighting, was a one-man support team. He was the one who pushed me to write.