Bengalis love to celebrate their language, their culture, their politics, their fierce attachment to a city that has been famously dying for more than a century. They resent with equal ferocity the reflex stereotyping that labels any civic dysfunction anywhere in the world 'another Calcutta.'

I am aware of myself as a four-hundred-year-old woman, born in the captivity of a colonial, pre-industrial oral culture and living now as a contemporary New Yorker.

I had a 2-week courtship with a fellow student in the fiction workshop in Iowa and a 5-minute wedding in a lawyer's office above the coffee shop where we'd been having lunch that day. And so I sent a cable to my father saying, 'By the time you get this, Daddy, I'll already be Mrs. Blaise!'

Through my fiction, I make mainstream readers see the new Americans as complex human beings, not as just The Other.

But, Christ, there's a difference between exotic and foreign, isn't there? Exotic means you know how to use your foreignness, or you make yourself a little foreign in order to appear exotic. Real foreign is a little scary, believe me.

The traveler feels at home everywhere, because she is never at home anywhere.

The picture of Mother Teresa that I remember from my childhood is of a short, sari-wearing woman scurrying down a red gravel path between manicured lawns. She would have in tow one or two slower-footed, sari-clad young Indian nuns. We thought her a freak. Probably wed picked up on unvoiced opinions of our Loreto nuns.