My first novel, 'The Tiger's Daughter,' embodies the loneliness I felt but could not acknowledge, even to myself, as I negotiated the no man's land between the country of my past and the continent of my present.

I am a naturalized U.S. citizen, which means that, unlike native-born citizens, I had to prove to the U.S. government that I merited citizenship.

In traditional Hindu families like ours, men provided and women were provided for. My father was a patriarch and I a pliant daughter. The neighborhood I'd grown up in was homogeneously Hindu, Bengali-speaking, and middle-class. I didn't expect myself to ever disobey or disappoint my father by setting my own goals and taking charge of my future.

Mother Teresas detractors have accused her of overemphasizing Calcuttans destitution and of coercing conversion from the defenseless. In the context of lost causes, Mother Teresa took on battles she knew she could win. Taken together, it seems to me, the criticisms of her work do not undermine or topple her overall achievement.

I feel empowered to be a different kind of writer. The longer I stay here, the more light filters into my work. I feel very American. I belong.

In India, there are real consequences to inattention; drivers who jeopardize pedestrians can be lynched on the spot.

Bengalis love to celebrate their language, their culture, their politics, their fierce attachment to a city that has been famously dying for more than a century. They resent with equal ferocity the reflex stereotyping that labels any civic dysfunction anywhere in the world 'another Calcutta.'