I practice at home, in between phone calls, and have much to do.

We used to drink an awful lot of alcohol.

Close to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention.

Holding on to some of your uniqueness is the trick instead of surrendering it at the Academy of Contemporary We're Gonna Make You a Star.

You learn so much about music from all the people you surround yourself with - good, bad and indifferent. It's extremely hard to be specific.

Drummers haven't managed to develop their individuality quite as well as guitarists have. We can be so focused on the nuts and bolts that we overlook the importance of individuality - the broader picture, if you will.

Second edition of Earthworks I have the more traditional compositional approach, namely I write a piece from the piano.