I have no distributor... it is indicative to me that there are these pockets of players and collectors all over. You should see the correspondence I get from over the world letting me know how significant they think I am. I know that wherever I go, I am well received.

If I had money, I would like to get an old building, have music performances, do lithographs, have shows of paintings, and do those things that I'm interested in doing.

In the middle 1940s... I heard everyone live. Painting, the theater; everything was happening. It was an exciting time when New York was the place to be.

If I produce it, I will stage it as a performance. A small audience will be invited; rehearsals of the sections will be done in the mornings, and those sections will be recorded in the afternoons.

I have no distributor... it is indicative to me that there are these pockets of players and collectors all over. You should see the correspondence I get from over the world letting me know how significant they think I am. I know that wherever I go, I am well received.

I think people who sample are cheating. It is like people who do collages. Use all of your own stuff.

Whatever I do, I attempt to do it fully. I try, and don't always succeed, to be thorough. There are musicians who do not know their worth, and if they knew it at one time, it has eluded them. I know my worth. You try not to dwell in the past.