I'm not fond of any of my films in an intimate way, but Gregory's Girl would be number 4 on my list.

I'd made these experimental films but I thought the major chore of a filmmaker was to relate to actors.

I went to the Glasgow Youth Theatre and they just let me in. But I was so shy that I was there for about six weeks without actually introducing myself.

I don't really enjoy filming.

Perhaps naively I thought people understand what humor was, that it was invented by the human race to cope with the dark areas of life, problems and terrors.

At the moment, my mother is the only one left in Glasgow, although it's certainly my home.

There are things that Scotsmen get and other people don't get in the dialogue. Scottish characters can be pinpointed by a phrase, targeted very quickly.