I spend a lot of time copying saxophone players and trumpet players. Not to say that it is not important to listen to guitar players, but there's so much music out there and so many possibilities. I like anyone who plays any instrument.

I've been lucky with the circle of people I'm playing with. We've played enough that there's a language we talk with each other when we play.

Music doesn't hurt anybody, that's what's amazing. Everything is in there, every kind of human emotion, from the darkest to the lightest. And it has power. Unbelievable power.

I spend a lot of time copying saxophone players and trumpet players. Not to say that it is not important to listen to guitar players, but there's so much music out there and so many possibilities. I like anyone who plays any instrument.

In so many ways, it feels the same now when I play as the very first time I picked up the instrument. There's always this sound out there that's just a little bit beyond my reach and I'm trying to get there and that just sort of keeps me going.

First I was a European-style player, then I was a downtown 'noise guy,' and now some people call me an Americana guy.

I hate labels; the problem is that if you say you're one thing, it's hard for people to imagine you as something else. Music is way more complicated than that.