Most of life is grey, with a little tiny bit of black and white. We're always subject to what I call the compression industry, which is an attempt to compress a million shades of grey with a little bit of black and white to just a hundred, or to ten, or to one!

In every form of art, you really want the experience of the images to transcend the medium, for the medium to disappear into the greater experience of viewing the work. So that you forget you are looking at a painting, or a photograph.

On practical level I can't pick up the camera until I think I know what I want. I don't wander around. It's almost impossible for me to pick up a camera... it's really hard.

No medium is more limited than any other. It's what a person does with it. We could talk about the differences between music and literature and photography, sure, but it really comes down to what a person does.

When you go to a great concert something that happens is there is a deep sense of communality and connectedness one to another - as though we are all looking to eachother and saying yeah, we get it, we're all on one page.

You pick up a camera because something has been revealed to you in the landscape or in the human-scape. And you have no choice because it's a gift. And it's like, oh right, I better start doing this!

You spend your whole life trapped inside your body. Everything you know about the world comes to you through your body.