Most of life is grey, with a little tiny bit of black and white. We're always subject to what I call the compression industry, which is an attempt to compress a million shades of grey with a little bit of black and white to just a hundred, or to ten, or to one!

On practical level I can't pick up the camera until I think I know what I want. I don't wander around. It's almost impossible for me to pick up a camera... it's really hard.

What happens with experiences that really move us deeply, that really effect us? They make the world new again. What it does is it heightens our sense of mortality.

It was the dreamscape of the suburbs that interested me.

You spend your whole life trapped inside your body. Everything you know about the world comes to you through your body.

There's something about the processional nature of the architecture, of the rooms connecting rooms. It's just breathtaking.

I could be standing in the supermarket, and there is a person standing down the aisle, who is reading the back of a cornflakes box but everything about them is going "It's me! I'm the one you want! I am the necessary subject. This is it!"