There are no inherent limitations to the medium. There are just differences.

There's something about the processional nature of the architecture, of the rooms connecting rooms. It's just breathtaking.

You spend your whole life trapped inside your body. Everything you know about the world comes to you through your body.

In every form of art, you really want the experience of the images to transcend the medium, for the medium to disappear into the greater experience of viewing the work. So that you forget you are looking at a painting, or a photograph.

As a boy I was obsessed with Egypt and Egyptology. I'm convinced it's not that uncommon. A lot of 10 or 12 year old boys become obsessed with Egypt. It's a bit like young girls and horses.

There are no inherent limitations to the medium. There are just differences.

When you shoot on film, you don't know whether you've got it or not until you get the film processed, and so it changes the relationship we have with the subject whether it's a landscape or a person in a so-called controlled environment in a chair in a studio in front of you.