There are no inherent limitations to the medium. There are just differences.

As a boy I was obsessed with Egypt and Egyptology. I'm convinced it's not that uncommon. A lot of 10 or 12 year old boys become obsessed with Egypt. It's a bit like young girls and horses.

You pick up a camera because something has been revealed to you in the landscape or in the human-scape. And you have no choice because it's a gift. And it's like, oh right, I better start doing this!

It was the dreamscape of the suburbs that interested me.

I was always amazed at how beautiful the light was. At different times of the day the landscape becomes a different place. Dawn and dusk, it's a different place.

When you shoot on film, you don't know whether you've got it or not until you get the film processed, and so it changes the relationship we have with the subject whether it's a landscape or a person in a so-called controlled environment in a chair in a studio in front of you.

The world is a colony of the US. The twentieth century was the US's century.