[Political actions] has to happen on the local and state level; we have to convince our cities to join the growing number of more than 200 American cities who have signed on to the mayor's climate campaign.

The religious environmental movement is potentially key to dealing with the greatest problem humans have ever faced, and it has never been captured with more breadth and force than in RENEWAL. I hope this movie is screened in church basements and synagogue social halls across the country, and that it moves many more people of faith off the fence and into action.

To me, it's more important to take the 60-70% of people who really understand that there's a problem [of climate change] and get some percentage of them active than to try and stamp out the last embers of pre-scientific thought.

Until it's understood to involve justice for those in poverty, a future for generations yet unborn, and a commitment to the rest of creation, it's unlikely we'll be able to overcome the status quo.

TV is sometimes accused of encouraging fantasies. Its real problem, though, is that it encourages-enforces, almost-a brute realism. It is anti-Utopian in the extreme. We're discouraged from thinking that, except for a few new products, there might be a better way of doing things.

In 50 years, no one will care about the fiscal cliff or the Euro crisis. They'll just ask, "So the Arctic melted, and then what did you do?"

We, all of us in the First World, have participated in something of a binge, a half century of unbelievable prosperity and ease. We may have had some intuition that it was a binge and the earth couldn't support it, but aside from the easy things (biodegradable detergent, slightly smaller cars) we didn't do much. We didn't turn our lives around to prevent it. Our sadness is almost an aesthetic response - appropriate because we have marred a great, mad, profligate work of art, taken a hammer to the most perfectly proportioned of sculptures.