One of my great regrets, and I don't have many, is that I spent too long putting people's status and reputation ahead of their more important qualities. I learned far too late in life that a long list of letters after someone's name is no guarantee of compassion, kindness, humour, all the far more relevant stuff.

I really have no interest in delivering the iambic pentameter, I just want to kill myself. I don't mind other people doing it. I say that, but really I don't want to watch other people doing it. I get embarrassed.

It can't be overstated how wonderful it is not to have to audition any more. Any actor will tell you, it's like Christmas.

Opening a play is just tough. The idea that actors are weirdly protected from it is a myth. If you imagine yourself having to spend two and a bit hours cooking bolognaise, remembering a whole major work by David Hare and speaking it at the correct moment between chopping carrots and stirring the onions in front of an audience - the normal human response is 'Please, can I go to the airport?'

I admire David Hare as much as I admire certainly any writer ever. What I like about his writing is it is very conscientiously, in one way, an attempt to reproduce the way people actually speak, but it's not just an attempt at naturalism. It's stylised and it's heightened, to great effect. It's elegant and it's funny and that's the way to my heart, frankly.

From my point of view, it's very refreshing to play a regular human being and not someone from another dimension. When I say "not act," what I mean is just to be as natural and as normal as possible.

As you get older you feel you need to pay more attention to what is around you and relish it. I'm greedy for beauty.