There's definitely a pattern of great British shows that get reinvented in America and do really well here, but I think 'Torchwood' is a bit different. It's more of a hybrid that doesn't exist as a reinvention.

I co-own the ranch with my brother, and he and his wife are really the backbone of the operation.

There's a point you get to on the stage where you're not remembering lines but living them, and you reach this pure moment which, really, is more intense than what you can achieve in life.

There's definitely a pattern of great British shows that get reinvented in America and do really well here, but I think 'Torchwood' is a bit different. It's more of a hybrid that doesn't exist as a reinvention.

The writers are pretty political and they want to get as big an audience as they can - they want the popular vote.

I do take lots of time off between projects, but when the right thing comes along, I don't like to turn it down, I've been doing this for a decade, and I remember what it was like when I started. You spend maybe five percent of your time actually doing it, and the rest of the time, you're trying to get that five percent.

Truthfully, I almost avoided 'While You Were Sleeping,' because I find those romantic comedies kind of precious, and they're full of lines that leave you feeling a little bewildered when you say them.