I co-own the ranch with my brother, and he and his wife are really the backbone of the operation.

There's a point you get to on the stage where you're not remembering lines but living them, and you reach this pure moment which, really, is more intense than what you can achieve in life.

I like those crisis moments - if you're on top of it and don't get pulled under by panic and fear, it's a very bonding thing.

The writers are pretty political and they want to get as big an audience as they can - they want the popular vote.

Theater has always been most important to my psyche.

Rural towns aren't always idyllic. It's easy to feel trapped and be aware of social hypocrisy.

With While You Were Sleeping, it was so much fun and such a Cinderella story, that I didn't want to do another romantic comedy. I wanted to do the opposite.