When I read a script and have my first interaction with this character, do I feel like there's something I'm gonna' learn here? If I feel like it's something I've done before, then what's the incentive for me to do it?

When I read a script and have my first interaction with this character, do I feel like there's something I'm gonna' learn here? If I feel like it's something I've done before, then what's the incentive for me to do it?

I miss being in my home country; here, I'm always a foreigner. America is, of course, built of people who are not from here. But going home, even just landing at Arlanda, the Stockholm airport, I think, "This is where I'm from. These people are my people."

It's not about being proud of Sweden; it's just a sense of belonging. Even if you've lived in a place for a long time, those first formative years are going to be a part of you forever, and it's something you can't replace.

Acting was always there, it's true. But for a long time, in my teenage years, I wasn't sure about it - not because I didn't like it, but I didn't want people to think I hadn't earned it.

A character on screen that's the 'good guy' or the 'bad guy,' they're never interesting. There's got to be an internal struggle, the duality is important to find.

Sweden is a small country and, well, our family's pretty prominent in that world, I guess. And I really didn't like the sound of just being 'the fourth acting Skarsgard.