I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.

Video artists being at the low end of the totem pole economically, one of the ways we survive is to go around showing work and giving these talks.

There is an invisible world out there, and we are living in it.

You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.

The human brain is probably one of the most complex single objects on the face of the earth; I think it is, quite honestly.

I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.

The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light.