Onstage I like to play with a an 18-inch speaker, which very few bass players do. I need that fat, underneath sound, which I've always had. It suits me admirably to do it like that, and I can imitate that sound by plugging directly into the board in the studio.

Because of the fashion, the young people don't have any access to the history of music, unless people like me revive it. There are very few people to revive it, because you can't earn any money doing it.

I didn't want to stay in the Stones, and be stuck in a position having to play a music I didn't like anymore and that restricted me from doing all the others things I'm interested in because of time.

I can't really sing and play live, because I can't play bass efficiently and sing at the same time. If I concentrated on the vocals, I'd mess up the bass, and if I concentrated on the bass, I'd forget the lines.

If you are any competent musician, if you have creative ideas, ideas of songs, of arrangements, in a band like the Stones, where these 2 people do all the things, there is no freedom.

I love to play smaller crowds with the Rhythm Kings.

The first records I heard were from Dizzy Gillespie and people like that.