But, in the end, even a song that's as politically bland as Blowin in the Wind, you probably wouldn't get up and sing that now, whereas some of Bob Dylan's love songs that were contemporary with that, like say Girl from the North Country, you can still get up an play now.

If I can entertain people and get them to open up a little bit, then they're much more conducive to any ideas I might have, whether they're about relationships or politics. The most interesting songs, I think, are the ones where the two overlap.

We've heard so much about the American dream: well, Trump is the American nightmare made flesh. All the things about 'the ugly American' that we worry about and which the Americans see in themselves, it's all of that. This is a politics of egotistical display.

Today, rather than talk in terms of ideology or ideas like socialism, I think more important issues to discuss are things like compassion and accountability.

Never trust anyone who has no doubts. And I'm not talking about scepticism either: scepticism can be a healthy thing. You can have an argument with someone who's a sceptic. When I say 'cynic', I mean someone who has given up, and they want you to give up too, so it makes them feel better about themselves.

I enjoyed so much working with the guys from Wilco, and riffing off of them, and having someone come up to me with ideas, because normally in the studio it's me who has to come up with all the ideas.

I don't mind being labeled as a political songwriter. I've chosen to do that. What really annoys me is being dismissed as a political songwriter. That really pains me, because life isn't all about love; it's not all about politics, either. It's a beautiful mixture of events that absolutely baffle you, and you think, "Why can't I do something about that?", whether those events are in your bedroom, or out there in the wide world. In our daily lives we engage with them at different times, and I'm trying to write about the whole human experience, or my perspective on it anyway.