The feeling of being at sea has put me in touch with who I am to a greater degree than if I had been on land all these years. So, in a roundabout way, I imagine it does inform my acting.

I would love to see a sequel to 'The Rocketeer.' I'd love to see that! I don't know that I would be in it. I may be a little long in the tooth to play 'The Rocketeer.' But I would love to be a part of that in some form or fashion.

I almost always do things that I like, in some form or fashion. Every once in awhile that means that I don't think the script is any good and I don't have any trust in the people, but the film is shooting in Sri Lanka, or somewhere like that, so I'm going.

I don't have any complex plans for playing a character. I think all I try to do is not make too many bad guy faces and not ever try to seem too good. I just try to put it in the middle somewhere.

The first trip I remember taking was on the train from Virginia up to New York City, watching the summertime countryside rolling past the window. They used white linen tablecloths in the dining car in those days, and real silver. I love trains to this day. Maybe that was the beginning of my fixation with leisurely modes of travel.

Some of the best auditions I've ever had have been when my agent called and said, "They want you 20 minutes ago, in an office in Century City, to see you for something." It's actually sometimes a really good thing. I don't have time to second-guess myself, I don't have time to overthink things, and I don't have time to get bogged down in stuff. I'm not sitting there thinking for a week and a half, before I'm supposed to go in front of a network president to do something. That just gives you time to be nervous.

So many movies are so formulaic because you've got to get it done in an hour and a half. On a TV series, that's where the really interesting stuff can happen.