I'm an experimental artist in a field that doesn't celebrate experimentation. It celebrates self-destruction, which I guess you could say is a creative endeavor.

That's the age that people are exploited, exploitable, and they're easily manipulated. The problem with me is, you can't manipulate me anymore. I've seen it, I know it, I've been there. And that's partially why, particularly in America, you see issues with artists as they get older. And they like to keep it a young man's game. Because that's how they can fudge around with the rules.

I didn't find Jesus. He's been there the whole time.

Great music completely obliterates any conceptions of genre.

Fur is a contentious issue. Meat is a contentious issue. GMOs are a contentious issue. I think this whole thing going on about whether or not products should be labeled if they have GMOs in them - I, as a consumer, would like to know if I'm eating GMO food. If I choose to buy it then it's my choice.

Usually the intention of the artistic effect is too sophisticated for most people to understand, sort of like a joke that they don't get so they don't think it's funny.

In 1992, with the weight of a perceived world on our shoulders, we disappeared into a parking garage to write the songs that would change the course of our lives forever. 'Siamese Dream' represents all of our dreams coming true, while the dreams of a happy band fell apart.