I'm from a lower middle class background; all my family were immigrants.

There's nothing more satisfying than going to a market and meeting the person who picked the strawberries, or it's their farm that the strawberries came from, and giving them a fair value in exchange for what they're giving you.

I was playing heavy metal when I was 18. I had to evolve out of that into an alternative consciousness about what it meant to change the way I played guitar, and the kind of songs, and the subject matter, and singing about child abuse, and all this stuff. I had to come from somewhere, and I had to take chances to do that.

I was part of a generation that changed the world - and it was taken over by poseurs.

I rummage around in artistic things from the past. If you don't understand the context, they wouldn't make any sense. I rummage around in conceptual ideas of the future, but if you don't know the source of the thinking, [it] wouldn't make any sense.

Rock in the mainstream culture has lost a lot of its mojo.

It's what the mainstream does - they absorb things and they blunt the power of it. And so the next generation and the next generation has to become more shocking and more provocative in order to get any rise out of anybody.