The difficulty, if you're in the world - and this is for anybody - is the eventual disappointment that comes with having to meet other versions of reality. Imposed systems that ask you to compromise or sacrifice things which you consider holy or sacred.

Now the expectation is that, once the public decides that the artist is gentrified, the public demands that the artist stop growing. And [the public] actually puts all their energy into reasserting or re-establishing what the artist has long ago left behind. Because that's what they want. The source of creativity, the gift that's been given, be damned.

You've got to be ready to be in a great relationship.

At some point, you protest too much they think you're guilty just because you're protesting.

That's the age that people are exploited, exploitable, and they're easily manipulated. The problem with me is, you can't manipulate me anymore. I've seen it, I know it, I've been there. And that's partially why, particularly in America, you see issues with artists as they get older. And they like to keep it a young man's game. Because that's how they can fudge around with the rules.

Saturn Return is just the return of your planets to their original position.

Being overly identified with [a certain period of time] becomes a noose around your neck, and people don't want you to grow up, they don't want you to change, they don't want you to evolve.