It's wonderful to read interviews by old blues guys - they talk about all their influences, they talk about who taught them how to play, and who they saw, and how they were determined to play that way.

You know Americans are obsessed with life and death and rebirth, that's the American Cycle. You know, awakening, tragic, horrible death and then Phoenix rising from the ashes. That's the American story, again and again.

That's the age that people are exploited, exploitable, and they're easily manipulated. The problem with me is, you can't manipulate me anymore. I've seen it, I know it, I've been there. And that's partially why, particularly in America, you see issues with artists as they get older. And they like to keep it a young man's game. Because that's how they can fudge around with the rules.

It's what the mainstream does - they absorb things and they blunt the power of it. And so the next generation and the next generation has to become more shocking and more provocative in order to get any rise out of anybody.

The deeper I get into my life as a musician, I'm discovering that it becomes less and less about other people, and more about what I want to do. And that's a good place to be.

It's a simple formula for me now, I don't play any song I don't want to play.

We had a wonderful time with this kind of grunge awareness, where suddenly rock was cool again. People wanted to head loud guitars. It was a great time, and I'm glad we were there. But the gimmick part has worn off.