Whenever I realize I'm being a goofball, I write it down. When I release the joke onstage, I love watching the effect it has on the audience. No one wants to see someone talk who takes themselves too seriously.

I come from a working-class family in Pittsburgh, whereas 'Mike & Molly' deals with the working class in Chicago. I swear a little, but I pretty much talk the same. It's not like when you see someone like Tim Allen and he's a lot bluer onstage.

You need a wisecracking buddy standing next to you? That's the role for me. You got the guys who are knock-down, drag-out handsome. That's what people want to see. Let that guy be the hero. But there's always a role for the Everyman.

Sometimes WRONG is worth the FUNNY!

You start realizing that maybe you're the one night a month that people have out, and they don't need to hear your political views or how dark you can get. They just want to laugh for an hour and go home. Once I wrapped my head around that, my act evolved accordingly.

Look, you know, you can't please everybody. I'm a stand-up comic. I know that. It doesn't matter how funny you are and how well you do, there's two people that are going to walk out of there hating you.

Whenever I realize I'm being a goofball, I write it down. When I release the joke onstage, I love watching the effect it has on the audience. No one wants to see someone talk who takes themselves too seriously.