It's important to collect unusual characters. It keeps you sharp.

In 1950, the biggest amp you could get was no bigger than a tabletop radio.

Having a visual element to your band is a good thing.

Water doesn't hurt a vinyl record. Put it into a dishwasher and you're fine.

Ever since I was a little kid and first heard Jimmy Reed's 'Honey, Don't Let Me Go,' the blues has been in my blood.

Brian Eno and Robert Fripp's foray into some artful excursions into some ethereal electric experiments. There was a lot curious activities emerging in London, Amsterdam, and Berlin back then developing some fiercely fuzzy of synth-like effects way outside the norm which really blew the lid off things.

My mom took my sister and me to see Elvis [Presley] in concert when was, maybe 5 or 6, and I liked everything about it.