Brian Eno and Robert Fripp's foray into some artful excursions into some ethereal electric experiments. There was a lot curious activities emerging in London, Amsterdam, and Berlin back then developing some fiercely fuzzy of synth-like effects way outside the norm which really blew the lid off things.

Lightnin' Hopkins was something of a fixture on the Houston coffee house scene so we were witness to eccentric blues brilliance close up. Then, believe it or not, along came the wave of the English cats like John Mayall, Eric Clapton and the Stones embracing the great American art form - the blues.

I too once belived in the heavier gauge string as a superior tone source. However, thanks to the graciousness of B.B. King I learned that a lighter-gauge string offers superior playing comfort ... try it, you may like it.

They prospect of seeing oneself in the mirror clean-shaven is too close to a Vincent Price film... a prospect not to be contemplated, no matter the compensation.

The blues is life itself.

Our skin colours may vary, but what's upstairs - there's certain things we've all got in common.

Most of the reggae awareness is still among music industry people and people who are already into all types of music.