I was basically a sound engineer, I produced radio shows and stuff and had to splice tape in the old days. And you knew a sloppy edit when you heard it, because I had enough of them. But that stuff takes the magic out of it, if you need to know everything. Then you become omnivorous. Everything is tender, and as soon as you burn it up, you're on to the next.

John Kricfalusi is very talented; he used to really piss me off. But I did good work, you know? The Ren & Stimpy show without me was totally unsuccessful. So if there's anybody listening out there with any doubts about what I can do for a show: Try me. The thing is, I wasn't about to stop doing a job.

I was basically a sound engineer, I produced radio shows and stuff and had to splice tape in the old days. And you knew a sloppy edit when you heard it, because I had enough of them. But that stuff takes the magic out of it, if you need to know everything. Then you become omnivorous. Everything is tender, and as soon as you burn it up, you're on to the next.

In a black-and-white world, back in the '50s, were voices from another era. All actors used to sound different. Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable. They were like men's voices, but they weren't Everyman, it was them.

I had people that were coming on my own website and attacking me. You know, they were like Hillary Clinton supporters? It was very ugly.

When I was a little kid, I saw a guy with one of those cancer clarinets, and I flipped out. I totally flipped out. I said to my mom, "Mom, what is that thing?" And she happened to know, too, which was the oddest thing. She said, "That's a Bell Telephone artificial larynx, for men that had their voice boxes removed because of cancer." I was like, "Wow." And I couldn't wait to get one. I didn't get one 'til I was all grown up and everything.

I got a liberal education. A white guy, rapping as Bugs Bunny, on a quintuple-platinum album.