To me, it all comes down to things being character-driven. It's hard for me to look beyond that. CG and all this cool stuff - so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots.

Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable.

But the throat just kind of falls into line once you realize in your head what it is. You got to remember the musicality of a character you're going to do.

If someone gave me the chance to create something, I put myself into it. I just want to try to do something that will last forever and that won't leave people saying, 'Gee, it could have been better, it could've been this, it could've been that.'

Even when I was coming through school I was a loner and I used to study music and listen to it and play it and play it, and I was in bands.

Everybody's got a bully pulpit now, and everybody's mad. I don't blame people for being angry and frustrated about everything. I'm old, but I'm not pulling my pants up to my tits. I take deep breaths of air when I enter a room and celebrate the fact that I'm alive.

In a black-and-white world, back in the '50s, were voices from another era. All actors used to sound different. Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable. They were like men's voices, but they weren't Everyman, it was them.