One who knows nothing can understand nothing.

One who knows nothing can understand nothing.

My core competency has really informed my painting. The roots of editing stem from classical paintings - classic painters intended to drive your eye from this conflict to that intrigue, ending with a caprice. That is a montage, that is editing. It became a flipbook in later generations.

Cinema informed my painting by the sheer geography - on locations, there is so much downtime. And when you're spending all this time creating art by committee, the concept of the singular voice is a pleasant antidote.

With me it's always about first impressions.

I've always had an artistic hand. I took on paint when I started falling in love with the abstract expressionists. I approached it from a physical standpoint, but I've also been honing my compositional eye through film.

I paint abstract expressions.