People ask me questions like, "Oh, you look so theatrical in your photographs. Is that what you're like when you walk down the street?" It's like, "Of course not." It's such a silly question - it's like being theatrical is a crime.

Over the last 10 years, there have been so many incredible albums created in bedrooms by people who never would've gotten an album deal. People keep thinking of professional music studios like they've always been this way for hundreds of years, but they're very much a child of the 70s. Even the interior is very 70s. Everything's brown and it's wood - somebody told me the wood panels are all by the same company. We're always mourning things that have died. It's a bit much sometimes. These studios have no fresh air, and there's this unwritten rule that they don't have windows, either.

I sometimes fall into the trap of doing what I think I should be doing rather than what I want to be doing.

The relationship changes as you learn more about people, and the work sort of takes on its own life. I enjoy this very much.

If you can make nature and technology friends, then you can make everyone friends; you can make everyone intact. That's what women do a lot - they're the glue between a lot of things.

Being a musician is very easy. My house is full of musical instruments. There's a lot of music, always.

When I was a teenager in Iceland people would throw rocks and shout abuse at me because they thought I was weird. I never got that in London no matter what I wore.