But the truth is that critics are by definition critical. That's their job.

That's the most important thing, to get along with people. When you feel like you click with them. That's more important even then what their background is or what they've done before, how good they are, how new they are or whatever. All that stuff is really secondary to just getting along with the person.

I drive a lot. Just for pleasure. Sometimes I'll get in the Cadillac and drive around the city or the country, kind of trying to get lost basically. Y'know, just see where roads lead.

I can remember back as far as age 8, performing with the Boston Folk Song Society. It was a Woody Guthrie song.

I've got a small, loyal audience, which is great. And I appreciate that. They're there for me every time.

I think all musicians and producers, they know the real goal is to come up with a record that is entertaining and not boring, that's the goal. I think if everyone agrees that that's the goal then it doesn't matter who's the band and it doesn't matter who's the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.

If you're a good band then the filter of the band is pretty strong.