I listen to Neil Young and jazz and classical stations and, if my girlfriend's driving, it tends to be Hall & Oates.

As I paint, I realise, while it's something I do very much by myself, it's very solitary, the creative process feels similar to making music to me now, at least as far as my brain is concerned.

I have two step-kids and one of my own on the way. That's three college funds.

My most cryptic, strange songs might be my most personal, but that isn't how people are going to receive them, because they don't know the code.

I have had UFO experiences, and yet, at the same time, I can easily be convinced that none of it is true. It's hard to say whether or not you're a believer. I've been interested in that subject matter, like lots of people. Perhaps foolishly, I've allowed some of that stuff to creep into my music.

I think everybody has a painter inside of them somewhere.

I think all musicians and producers, they know the real goal is to come up with a record that is entertaining and not boring, that's the goal. I think if everyone agrees that that's the goal then it doesn't matter who's the band and it doesn't matter who's the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.