Its really a luck of the draw or fate or destiny, whatever you want to call it, but you dont know if youre going to resonate with people or not.

Sex in the City was a different kind of phenomenon because of the show itself is a phenomenon and to me that's successful because to resonate with women across the board for six years and have only one African-American actor pass through for one episode.

That is the thing I'm most grateful for in this industry to be able to spin in those different mediums, with television, film and the stage - at this stage of the game.

I haven't done a great deal of it but this was a chance to do more and bring it to that part of the business and even more so, but the fact that it was a black superhero was really the catalyst to me.

It's about strengthening the relationship and the bond of parent to child.

I think one of the most difficult challenges in show business is the challenge of longevity and to constantly realize and reveal what's already been there - like doing stage and singing and dancing in New York. I haven't been that far out of my comfort zone in a while.

Now it's a fully realized production but for the fact that we're holding our scripts in our hand and some of us used them, and some of us didn't and you have to by union rules hold the script. You don't have to use them but you gotta hold them.