Sex in the City was a different kind of phenomenon because of the show itself is a phenomenon and to me that's successful because to resonate with women across the board for six years and have only one African-American actor pass through for one episode.

The voice over is a hat you put on right now as opposed to worrying about going through wardrobe, and having to look a certain way. You just got to let your voice do the talking for you.

I'll tell you what 20 years teaches you - is that if one thing doesn't last something else will come down the pipe and to go from that and to do these films now.

Two packed houses. I guess the theater sat 2,700 people every night so it was an amazing experience.

Our deal always was that we did one as scripted always, we got it like we thought we needed - so we were all happy with it as written. Then I'd let him play as long as we had time.

To be still standing 20 years in this business is a great feeling, I can't even tell you.

It could be a great script but the director is not the right person for me to work for at this time. So there are a lot of elements that come into play and a lot of variables, but more than anything it's got to be a great script and a great character.