It could be a great script but the director is not the right person for me to work for at this time. So there are a lot of elements that come into play and a lot of variables, but more than anything it's got to be a great script and a great character.

It's really hard, when you have a heavy workload, because it just really pulls you out of your life. It's nice to have some balance. I get to work and enjoy that part of me, but then I have time to have a life and be with my kids.

It could be a great script but the director is not the right person for me to work for at this time. So there are a lot of elements that come into play and a lot of variables, but more than anything it's got to be a great script and a great character.

Krush Groove was a movie at the time. That was my first break. I just got to New York. I was right out of college and I was happy to have a job.

Two packed houses. I guess the theater sat 2,700 people every night so it was an amazing experience.

Now it's a fully realized production but for the fact that we're holding our scripts in our hand and some of us used them, and some of us didn't and you have to by union rules hold the script. You don't have to use them but you gotta hold them.

I think one of the most difficult challenges in show business is the challenge of longevity and to constantly realize and reveal what's already been there - like doing stage and singing and dancing in New York. I haven't been that far out of my comfort zone in a while.