I've been doing Porky Pig for 21 years for Warner Brothers.

Once you prove yourself, that you're a utility player, they're going to contact you and say, hey, yeah, we need you for a film next Thursday at Fox or Sony or whatever. You kind of get a reputation.

I had a very specific goal and I think kids, more than adults, don't understand obstacles and competition. I wanted to be this one cartoon character [Porky Pig], couldn't figure out why I couldn't do it, other than living in the midwest.

I studied voiceover, and I studied acting and I got my first series and my first agent a week out of high school. And it took me about five years of hit-or-miss auditioning and booking on occasion before I could support myself totally as an actor.

If you want to get into the business of doing voices for cartoons, you've got to be a good actor. It's all about acting. It's not about the voice. The voice is just one part of what you bring to the character.

No matter what it is in life that you want kid, just want it worse than anybody else [and] work harder than anybody else to get there.

I'm fortunate in that I'm what you call a utility player, in that I can take a scene, if there's five or six minor characters in a scene, that need voice and personality [and] I can supply those characters.