Anyway, when I finished the book, I handed it in, didn't want to read it again, but when it finally was in print I felt like OK, I have to read this. And yeah, I thought God, this is petty, this is silly, too emotional, too raw...and maybe it was then, but now it all seems that it's so much better because all the stuff that felt petty and silly now seems more relevant because Andy was so important.

Andy [Warhol] put on his fey kind of act, but he wanted to be number one and he succeeded. But you never know. Fifty years from now he might not be seen as so important, but the way our whole culture has gone, and the way it continues to go, is his way - for better or for worse.

His [Andy warhol] films were way ahead of the times...and I'm not suggesting this has all necessarily been a good thing for America, mind you. I kind of think we're all in a really big mess, kind of like the end days of the Roman Empire.

One thing about Andy Warhol that was remarkable and also key to his widespread appeal is that he was so open! He would get on the phone and talk to the kid who called to say he was a fan - you know, Andy would walk from his house every morning down to the Factory carrying a bunch of Interviews - people would stop him and he would sign them, and what have you.

And out of the blue, I got a call from an editor friend at Knopf and she said that they were interested in putting out an update for their vintage paperback line. So I was more than thrilled and it was suggested that perhaps I could do a 1,000 word new introduction covering what's happened with the whole Warhol thing since 1990 when the first edition hardcover came out and, uh, that was about August 1st and I sat down at my computer here in East Hampton and on on August 30th I'd written almost 10,000 words!

The funny thing about me is I'm kind of schizophrenic, because after four or five nights in a row of going out to parties, I just have to be alone. I hate people and feel like they're keeping me from what I really want to do, like write a fabulous novel, which I probably never will.

He was, as Billy Name said in the acclaimed Ric Burns documentary about Andy Warhol, uninterested in being a second-tier artist. He was uninterested in being a first-tier artist! He wanted to be, you know, a god. Someone who completely changed the...he wanted to be Zeus with the lightning bolt and nothing less would have satisfied him.