I could write an entirely new book about Andy Warhol, but I don't think I will. I certainly don't think Nancy Reagan would like that, as she's been patiently waiting for Volume 2 of my chronicle of the life of her and Ronnie.

The funny thing about me is I'm kind of schizophrenic, because after four or five nights in a row of going out to parties, I just have to be alone. I hate people and feel like they're keeping me from what I really want to do, like write a fabulous novel, which I probably never will.

You can't hang around geniuses forever because they end up taking everything you've got. That's why they're the genius and you're not.

Diana Vreeland was "the Empress," the avatar of the age. An old name or old money were not enough to get you into Studio 54 - or Interview magazine, for that matter. You had to have a lot of something else, like looks or brains or wit or fabulous clothes.

One thing about Andy Warhol that was remarkable and also key to his widespread appeal is that he was so open! He would get on the phone and talk to the kid who called to say he was a fan - you know, Andy would walk from his house every morning down to the Factory carrying a bunch of Interviews - people would stop him and he would sign them, and what have you.

I could write an entirely new book about Andy Warhol, but I don't think I will. I certainly don't think Nancy Reagan would like that, as she's been patiently waiting for Volume 2 of my chronicle of the life of her and Ronnie.

Anyway, when I finished the book, I handed it in, didn't want to read it again, but when it finally was in print I felt like OK, I have to read this. And yeah, I thought God, this is petty, this is silly, too emotional, too raw...and maybe it was then, but now it all seems that it's so much better because all the stuff that felt petty and silly now seems more relevant because Andy was so important.