Every singer has three or four or five techniques, and you can force them together in different combinations. Some of the techniques you discard along the way, and pick up others. But you do need them. It's just like anything. You have to know certain things about what you're doing that other people don't know. Singing has to do with techniques and how many you use at the same time. One alone doesn't work. There's no point to going over three. But you might interchange them whenever you feel like it. It's a bit like alchemy.

I don't know if I call myself a poet or not. I would like to, but I'm not really qualified to make that decision, because I come in on such a back door, that I don't know what a Robert Frost or a [John] Keats or a T.S. Eliot would really think of my stuff.

If you wanted to, it would be easy to find some crappy lyrics [of Bob Dylan] from the Eighties to undermine the Nobel Prize.

There's not even room enough to be anywhere/It's not dark yet, but it's getting there.../I was born here and I'll die here against my will/I know it looks like I'm moving, but I'm standing still.

So, I don't know. I think so. It's all in the heart, whatever keeps you that way. Keeps you forever young. Forever young doesn't necessarily mean that you don't grow old, but you just have some contact with what put you where you are. You know, keep some type of contact. Anyway...

Whatever colors you have in your mind, I'll show them to you and you'll see them shine.

May your heart always be joyful. May your song always be sung.