If you like someone's work, the important thing is to be exposed to everything that person has been exposed to. Anyone who wants to be a songwriter should listen to as much folk music as they can, study the form and structure of stuff that has been around for 100 years.

I've been up the mountain and I had a choice. Should I come down? So I came down. God said, Okay, you've been up on the mountain, now you go down. You're on your own, free. Check in later, but now you're on your own.

There ought to be a law about you coming around.

I find C major to be the key of strength, but also the key of regret. E major is the key of confidence. A-flat major is the key of renunciation.

I used to think it's better if you just live and die and no one knows who you are.

Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move.

I wanted to understand things and then be free of them. I needed to learn how to telescope things, ideas. Things were too big to see all at once, like all the books in the library-everything laying around on all the tables. You might be able to put it all into one paragraph or into one verse of a song if you could get it right.