There are a lot of people, especially the younger generation who don't feel that they need to support the artists by buying their music because they grew up learning that record companies are evil.

I don't like the dislocation of being away for months at a time. It's not conducive to having a life.

You can realign people's physical chemistry with sound.

There's so many companies that are spending so much money on 17-year-olds... I can't compete with that. I'm not that guy anymore, they can't dress me up and roll me out there and make me look good. I am what I am!

It reset and mended my freshly damaged and distorted view of life, and made me recognize that this thing we call music, this primal expression that we reshape and refine and define ourselves with, is the gift I was given. The ability to communicate what others feel but cannot fully express, the passing down and around of songs and stories, from Pete Townshend to Joey Ramone to me, to the audiences who take the time and effort to support our work and give us a way to support ourselves -- I'm thinking this is what I am supposed to be doing.

I think also there was a lot of coming to terms with where I am in life, where I fit in as a gay man in America, and getting more comfortable with who I am.

I'm 44 now; I feel better than I did when I was 34. I've got more clarity now. I wake up in the morning, and I write my blog, and then I go upstairs, and I work on music. And I do that every day. That's what I do. I don't check in once a week and think, "Oh, I've gotta come up with something now." I'm always writing. I was just in a coffee shop in Chelsea last night, just killing time, waiting for a friend, and I sat and wrote enough for three good songs. I love it. This is my life. It's all I do.