I actually think there's a potential, a crazy potential, that network TV could become something valuable and worthwhile, just because of fear on the part of the networks.

Everybody needs some good sketch comedy.

I honestly would tell anyone young to start looking at stories and learning story, because I think that’s the next step after people go, ‘OK, I’ve had enough of that improvisation, I’ve had enough of those short comedy bits. Tell me a story, tell me a more complex story, something that lasts and maybe has a little more meaning to it.’ Don’t ever look at what’s happening now; look at what’s coming next.

In acting, you're only responsible for your part. When you're directing, the load is on your shoulders, so you have to feel a strong connection to the material. It's a higher bar to get over.

When you envy actors, only envy them for their good roles. Keep in mind they have to do a lot of roles to make a living, and not all of them are good. When they're doing a stupid role in a bad production, it's kind of a dumb thing to do when you're an adult. When you're doing a great role that's well-written, it's an enviable job.

You shouldn't eat red meat, but you shouldn't make resolutions you can't keep.

I learn things in a backward way. I learn all those limitations, and slowly my brain soaks them up, and if things go right, you just, in an organic way, translate your ideas into those templates. That's the way I perceive the process happening.