More fun than a frog in a glass of milk.

The ones that catch your eye are the ones that are basically people who live on the road and follow us around. They're a small percentage of the audience, but they're quite visible. The ones who aren't visible are the stockbrokers, lawyers, doctors, housewives.

The roughest part for me when I'm writing a song is staring at a blank page. Where am I going from here? If you're a songwriter, you have to do that every time you start a song.

I still retain a bit of a child's focus on things, so we [with my sister] figure if we're going to write books, our best shot is to write children's books, because we relate pretty readily on that level.

The bulk of my input comes from my peers.

If you want to promote anything, all the work that you put into it is basically promoting the idea of it so that people will go for it. And if they don't go for it, you can't institute it. You can't do it.

I have not made many conscious efforts to "re-imagine" songs. I just let them happen the way they're going to happen.