Kurt (Cobain) was a fan of my standup, which was pretty weird. I know when people hear that, it's kind of like finding out that Jimi Hendrix really liked Buddy Hackett, but he interviewed me at a college radio station before they broke and did Bleach. And then, like, about two years later, I was opening for Nirvana at these huge sports arenas.

It's that weird need to make tragedy about us. When you look at 9/11, there's people who really died and family members who really suffered. And then I would be in Montana, and a guy would go, "You know, I was close to Ground Zero." And it's like, "What are you talking about? You're in Montana." Everybody had to make it about them.

In my first stand-up acts there wasn't material even. You know, I'd go on stage and cry and read a Dear John letter or gut fish on stage. I could be odd - and it's what interested me as a comedian.

Stand-up was interesting to me at the beginning, because I was trying to parody it. My early stand-up was really Andy Kaufman-esque, and then I became the very thing I was making fun of.

My daughter went to the school, and it's a very, very progressive and liberal school, and my commencement speech was telling the kids just to always be willing to quit, and that they need to quit a lot in their lives, and keep on quitting, because all the happiness I've ever got was when I turned my back on things that everybody else thought would make you happy. I can smell parents' stomach acid right now, but they know that whole "You gotta get a job and you gotta settle for what people perceive as success" thing is really absurd.

If you ever see me getting beaten by the police, put down the video camera and come help me.

The bar for being shocking doesn't even exist anymore. What am I going to do to shock people? Seriously, try to get The Fisting Musical off the ground? Its really at this point, there is no bar.