On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.

I believe that also it should be stressed and made clear that our antagonistic position is not to say "I don't like whites" for the simple fact of not liking white people. It's like, our fight is not against the white person per se, but against the exercises of white supremacy and the form in which whiteness and the politics of whiteness operates.

What is MTV doing and what is the hegemonic culture industry promoting in gangsta rap? It is the glorification of violence for the sake of violence, the violence itself, like consumption for the sake of consumption, hypermasculinity writ-large with an adapted potency.

Every day of my life I have been in situations, not just in Mexico, in the US too, in which I identified the form of operation as racism. There are situations in which a smile, a laugh, a greeting are racist exercises.

I believe a lot in the subject of the power our own bodies have as marginalized beings to be able to change the sense of things.

A white leftist Mexican activist isn't the same in the media as the son of a farmer in Guerrero, they aren't worth the same. In the same imaginary of the Latin American Left exists a racism, a racism that corresponds to processes of colonialism internal to almost all countries in Latin America.

If I stop today at a protest and I read a speech, it is a speech that remains in that moment, and whoever captures it does, and whoever doesn't, doesn't, and just keeps walking. It is very sterile, and it can seem even inaccessible and boring for a community.