The countries made themselves independent from Spain, but only changed owners, who stayed in positions of power were the criollos, the Spanish descendants who were the new administrators of power and wealth in the country. And those families for generations have maintained themselves in positions of power. Latin America founded itself on everyone being equal, but in reality we aren't.

I think that in the colonial imaginary of the average Mexican, in how it drives us, the economic dependence on the US, and in some cases cultural dependence, is quite palpable, very strong.

I believe in terms of the work that I do, in establishing dialogue about race relations in Latin America, steps on one of the most relevant themes today.

If I stop today at a protest and I read a speech, it is a speech that remains in that moment, and whoever captures it does, and whoever doesn't, doesn't, and just keeps walking. It is very sterile, and it can seem even inaccessible and boring for a community.

I believe the advantage music has is the capacity to multiply itself, the capacity to keep itself in space and access itself at different times and in different processes and to make profound analyses, analyses that through musicality would be able to connect with people who don't necessarily have the energy or wish in any exact moment to connect to well-read or critical analysis.

A white leftist Mexican activist isn't the same in the media as the son of a farmer in Guerrero, they aren't worth the same. In the same imaginary of the Latin American Left exists a racism, a racism that corresponds to processes of colonialism internal to almost all countries in Latin America.

I can't marry myself to one idea or one form of doing politics or one form of understanding politics. I believe that we have to play the game of strategy, and understand how to move the pieces because this is how the political spectrum functions.