The multilevel, the conscious and the unconscious, is natural when I write scripts, when I come up with ideas and stories.

I don't write any kind of sequel or remake.

I like to draw my storyboards myself.

I really hate the creature film convention that says you have to wait until the end to see the monster. One hour and all you've seen is just the tip of the creature's tail.

The mother's love for her child is very strong in Korean society - almost on the borderline of being an obsession.

I have a group of cafes and coffee shops that I go to regularly. They usually have an area where I can plug in my computer and have a corner seat where I can do a couple hours of writing or whatever, even the noise of the surrounding people walking by. Those things are the things that stimulate me into writing.

There's hardly any governmental censorship in Korea.